Clue and the Crisis of the American White Male Essay -- Movie Film Ess

wind and the Crisis of the American White Male Nothing is much American than the crossover appeal of products in the mass media this appeal is what propelled the conception for the 1985 release of the film Clue, based on the Parker Brothers board game. Furthermore, in belongings with the games theme, the film appeared in theaters across the country with different endings. With an ensemble flip of talented only if little known actorsTim Curry, Christopher Lloyd, Lesley Ann Warren, Martin Mull, Madeline Kahn, Eileen Brennan and Michael McKeanClue seemed like a film destined to slip into obscurity. After all, it was a comedy, clever but crass. A deeper analysis of the film provides some insight into a ladder commentary that presents not just a murder mystery involving several(prenominal) comedic characters, but rather a complex allegorical situation that presents characters as archetypal figures for repressed forces in the dominant American political orientation. In realit y, Clue is a film about the crisis of the upper class white virile in American culture. In the piece movie theatre/Ideology/Criticism, blue jean Luc-Comolli and Jean Narboni define the critics job as the discernment of which films, books and magazines allow the ideology a free, unhampered passage, transmit it with crystal clarity, serve as its elect language and which films attempt to make it stave back and reflect itself, beleaguer it, make it visible by revealing its mechanisms, by blocking them (753). through with(predicate) their examination, seven film categories are outlined. Clue falls into the E category, which is be as films which seem at first sight to belong hard within the ideology and to be completely under its sway, but which turn out to be so only in an ambiguous way (75... ...itty dialogue. As Wadworth said, it should be no surprise that the FBI (dominant ideology) is trying to cover up the murder of these repressed forces. The FBI is used to cleaning up after septuple murders. Why do you think its run by a art object called Hoover? By continually making fun of the very powers it is purportedly reinforcing, Clue becomes an important film in criticizing American bourgeois ideology. whole kit CitedGledhill, Christine. Recent Developments in Feminist subscribe to Criticism. Braudy and Cohen, 251-72. Braudy, Leo and Marshall Cohen, eds. Film Theory and Criticism Introductory Readings, Fifth Edition. New York Oxford UP, 1999. Comolli, Jean-Luc and Jean Narboni, Cinema/Ideology/Criticism. Braudy and Cohen, 752-59.Lynn, Jonathan. Clue. Paramount, 1985.Mulvey, Laura. Visual Pleasure and Narrative Cinema. Braudy and Cohen, 83