Ghost dances By Christopher Bruce Essay

Ghost springs was created in 1981. The performance was choreographed by Christopher Bruce. The snatch explores the human rights of the plurality of chille and the depression that the lack of human rights caused. The inspiration of the saltation came from a letter that Christopher received from a widow of a Chilean folk singer, who was murdered. Christopher felt sympathetic towards the letter, and after being asked to do a production for the Chilean Human Rights Committee, and was given a lot of south American music with which he fell in love with. The dance also explores the cross everyplace from dying to either heaven or hell. It takes place in limbo where re-enactments of citizens lives ar performed before hybrid over. The dance uses traditional folk figurehead as well as other snippets of genres such as Contemporary and Ballet.Throughout the performance igniter is used to accompany the movement to create certain atmospheres , for example in the number one the three sk eletal dancers are using quite vigorous eerie movement which represents the awakening of them, the lighting is a light depressed which reflects against the backcloth and creates a moonlight which complements the movements. In contrast to this, when the dead spate enter the stage the lighting becomes less dark and gloomy and more than uplifting and bright, which then allows the audience to differentiate between the characters, this is called semiotics. There are 3 different kines of people among the civilians, the upper class, middle class and tear down class. You can establish this by the costumes they are exhausting. For example the upper class are wearing suits and fancy dresses whereas the lower class are wearing torn and damaged clothes, this shows social status even after death. The ever-changing content of Ghost dances is very varied, some movements are soft and light such as the trio between the three female dancers, and others are more striking and large for example when the skeletal dancers take shoot of the civilians and control them, this could represent the taking of their souls and the crossing over.It also shows a severance to their community and reflects the idea of murder and terrible things happening to the poorer, common people such as fathers taken away from their families and shot or propel away in cells and tortured to death. When they all dance in consent it shows a community like culture and everyday life. When the community is commencement introduced they all enter in a dream like plead as to show that they are quite oblivious for what is about to happen, this draws in the attention of the audience straight away. The fact that the dance ends in the repetition of this shows that they have all moved on and the skeletal dancers repeat the beginning phrase to show the ending of it all and the possibility of it to start over with a new lot of civilians.To conclude Christopher used many aspects to set apart across his int erpretation on the tragedies that were occurring in chille. One of the biggest was his use of movement and structure of the piece. The structure of the dance allowed the introduction of the different classes of people and the government issue it had on them. The use of costume enabled the audience to see the full extent of the movement and the style of the dance. In my opinion I think the choreography led me to interpret the performance as a crossing over from one world to another and using the snippets of their lives to put across the mutual exclusiveness and torture of the civilians. I found myself drawn into the performance and felt a connection to the meaning behind the movement. The structure and subject matter helped verbalize the meaning so that it was easy to follow plainly didnt durability me to interpret the dance in just one specific way, but allowed me to create a story and plot of my own.